O-V-E-R-R-A-T-E-D-? |
Filled with such gems as "oh my god you just punched that guy in the face," "wow, that was cool" and "this is so awesome," its a wonder why this film was even put into production. From the very beginning the scene is set for an unrealistic, cliched action film, substituting one-liners for character exposition and never justifying any decisions made by any of the characters.
The two Michel Gondry films I have seen before The Green Hornet, Be Kind Rewind and Eternal Sunshine, I really liked. They both had a unique style that separated them from other films accomplished by angling camera shots in certain ways. In Green Hornet, he sells out; conforming to Hollywood mainstream and thereby losing his identity, and the thing that made his films entertaining to watch.
In addition to the mediocre directing and woefully constructed script was the shoddy performance of the films actors. Forgetting for a moment my dislike of Seth Rogen, his poor performance was largely due to his characters writing. There was no character exposition, meaning that (unlike good writers) Rogen crafted the character around the story instead of crafting the story around the character. Dramatic films are meant to chronicle the life of the protagonist through the most important moments in his life; comedic films are meant to expose parts of society that do not make a great deal of sense. Because this film is both (or neither) and doesn't feature a likeable, humanized central character, the audience is not drawn into the film and we as an audience feel no empathy for Bert Reid when his life starts to crash down on him.
The best part of the film is the small cameo appearance made by James Franco, about 5 minutes in. It marked the first and last time I laughed, and was easily the most memorable moment of the film. Jay Chou's Kato was a dim bright spot, his spotty English ruined what could have been a funny side kick cliche. Cameron Diaz is terrible, she walks through the whole film with a shit-eating grin on her face proving again that she is one of the industries most overrated talents. Coming of his Oscar winning campaign as Col. Hans Landa is Christopher Waltz, the films main antagonist. It is clear that he played his role admirably, sticking to the script and trying hard to give his character human qualities that the writing didn't, but after watching him in this movie you begin to wonder why this man has an Oscar.
The Green Hornet is about as fun as a bee sting and as boring as living in the 1700's. If you are a screenwriting student, this is exactly how not to write a film script. A below average effort overall, The Green Hornet is the personification of what is wrong with the film industry these days: Comic book adaptation, converted from 2D to 3D to inflate revenue, hastily created by people who have no business working in this genre (Gondry directing action, Rogen writing superhero, Diaz acting) and leaving me wishing I had my money back- but happy that I didn't shell an extra 5 bucks to see it in 3D.
Grade: F (28/100)
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